Tag Archives: Asian Pacific American Heritage Month

What is the origin of Asian-Pacific American Heritage Month?

“Like most commemorative months, Asian-Pacific Heritage Month originated in a congressional bill. In June 1977, Reps. Frank Horton of New York and Norman Y. Mineta of California introduced a House resolution that called upon the president to proclaim the first ten days of May as Asian-Pacific Heritage Week. The following month, senators Daniel Inouye and Spark Matsunaga introduced a similar bill in the Senate. Both were passed. On October 5, 1978, President Jimmy Carter signed a Joint Resolution designating the annual celebration. Twelve years later, President George H.W. Bush signed an extension making the week-long celebration into a month-long celebration. In 1992, the official designation of May as Asian-Pacific American Heritage Month was signed into law.”

To learn more visit http://www.asianpacificheritage.gov/

Celebrate Asian Pacific American Heritage Month by browsing the database: Asian American Drama

Asian American Drama brings together more than 250 plays, along with related biographical, production, and theatrical information. The collection begins with the works of Sadakichi Hartmann in the late nineteenth century and includes contemporary playwrights, such as Philip Kan Gotanda, Elizabeth Wong, and Jeannie Barroga. Some 50% of these plays have never been published before.

In the late nineteenth century, when Asian American drama made its debut, the spotlight was firmly on the lives and struggles of Asians in North America, rather than on the cultures and traditions of the Asian homeland. Today, Asian American playwrights continue to challenge established theatrical conventions by calling attention to issues and experiences that might otherwise be ignored or marginalized.

The plays have relevance well beyond the study of literature, drama, and Asian American studies. They present views of important historical events, such as the construction of the railroads in the nineteenth century, the internment of Japanese Americans during World War II, and the Vietnam conflict. The plays also address sociological issues, such as assimilation, integration, and cultural identity in a Western context. The effect of Western religion is also examined. For example, David Henry Hwang’s Family Devotions deals with evangelism and religious identity as experienced by Chinese Americans. By reenacting experiences familiar to audiences, these plays provide opportunities for viewers to examine their own reactions to racism and other experiences of their ethnicity.

The collection is comprehensive. Significant plays have been targeted for inclusion, such as M. Butterfly (Hwang), Chickencoop Chinaman (Chin), Talk-Story (Barroga), Morning Has Broken (Houston), Yankee Dawg You Die (Gotanda), Bitter Cane (Lim), Letters to a Student Revolutionary (Wong), And the Soul Shall Dance (Yamauchi), and A Language of Their Own (Yew). In addition to well-known works, the collection includes items by emerging and less familiar playwrights, including Prince Gomolvilas, Uma Parameswaran, and Bina Sharif.

Asian American Drama represents the various ethnicities within the Asian American community. Along with many works by writers of Japanese, Filipino, Vietnamese, and Chinese descent, the collection includes plays by writers of Hawaiian, Indian, Thai, Korean, Persian, and Malaysian ancestry.